@booklet {3026, title = {1985}, year = {1978}, note = {

Rpt. in his\ Future Imperfect. The Wanting Seed. 1985\ (London: Vintage, 1994), 283-518 and includes his \"1985 and The Wanting Seed--An Introduction\" (v-viii).

}, month = {1978}, publisher = {Hutchinson}, address = {London}, abstract = {

The first part of the book (13-102) is an analysis of Nineteen Eighty-four. The rest (103-219) is a fairly typical anti-labor dystopia--Tucland [TUC = Trades Union Congress]--but including an attack on Arab interests in the U.K. The book also includes \"A note on Worker\&$\#$39;s English\" (221-26/499-504 in the reprint) and \"Epilogue: an interview\" (227-40/505-18 in the reprint).

}, keywords = {English author, Male author}, author = {[John Anthony Burgess] [Wilson] (1917-1993)} } @booklet {1877, title = {Clockwork Orange}, year = {1962}, note = {

U.S. ed. with significant differences. New York: W. W. Norton, 1963; rev. New York: W.W. Norton, 1987, with \“Introduction: A Clockwork Orange Resucked\” (v-xi) and with an added last chapter that was in the original U.K. edition but not in the U.S. edition or in Stanley Kubrick\’s film. Critical ed. based on the Heinemann ed. as\ A Clockwork Orange: Authoritative Text Backgrounds and Contexts Criticism. Ed. Mark Rawlinson (New York: W.W. Norton, 2011), 1-121, with \“Notes on the Text\” (122) and \“A Glossary of Nadsat Terms\” (123-27).\ 50th anniversary edition with a \“restored text.\” Ed. Andrew Biswell. New York: W.W. Norton, 2012, with an \“Introduction by the editor (vii-xxiii), \“Notes\” (205-12), \“Annotated Pages from Anthony Burgess\’s 1961 Typescript (213-20, \“The Clockwork Condition\” 221-238), and \“EPILOGUE: \‘A Malenky Govoreet about the Molodoy\’ Anthony Burgess, 1987\” (239-46).\ Rpt. illus. Ben Jones. London: The Folio Society, 2014, with an \“Introduction by Irvine Welsh (xi-xix) and \“A Note on the Restored Edition\” (xxi-xxii), \“Notes\” (201-10), and \“Nadsat Glossary\” (211-14) by Andrew Biswell.\ 

}, month = {1962}, publisher = {Heinemann}, address = {London}, abstract = {

Dystopia of violence, drugs, and youth gangs\ who speak Nadsat, an argot based on Russian. One theme that appears throughout Burgess\’s works is opposition to state action, here reflected in the state\’s attempts to reform the protagonist. The chapter missing from the U.S. edition and left out of the film depicts the redemption of the protagonist.

}, keywords = {English author, Male author}, author = {[John Anthony Burgess] [Wilson] (1917-1993)} } @booklet {1878, title = {The Wanting Seed}, year = {1962}, note = {

U.S. ed. New York: W.W. Norton, 1963. Rpt. New York: Ballantine Books, 1964. U.K. ed. rpt. London: Hamlyn Paperbacks, 1983 with \"A Foreword\" by the author comparing\ A Clockwork Orange\ and\ The Wanting Seed; and in his\ Future Imperfect: The Wanting Seed. 1985 (London: Vintage, 1994), 1-282, which reprints the 1983 foreword (ix-xii) and includes his \"1985 and The Wanting Seed--An Introduction\" (v-viii).

}, month = {1962}, publisher = {Heinemann}, address = {London}, abstract = {

Overpopulation dystopia in which homosexuality is encouraged to keep down population growth. Various methods were being used to keep population down including a fake war (called Extermination Sessions) and State condoned infanticide.

}, keywords = {English author, Male author}, author = {[John Anthony Burgess] [Wilson] (1917-1993)} }