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Art History Dissertations and Abstracts from North American Institutions
Compiled by Catherine D. Adams and Carolyn J. Lucarelli
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A. Bermingham

Doerr, Andrew, U. Keller (n80158991), A. Bermingham, and R. Williams. 1998. “Jean Tinguely: Technology and Identity in Postwar Art, 1953-1970”. UC Santa Barbara.
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Works Under Other Names

O'Rourke, Kristin, and A. Bermingham (n85230569). 2001. “Liberty, Fraternity, Genius: Eugene Delacroix and the Making of the Modern Artist, 1822-1832”. UC Santa Barbara.
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Baxter, Denise, and A. Bermingham (n85230569). 2003. “Fashions of Sociability in Jean-Francois de Troy’s ’tableaux de Mode,’ 1725-1738”. UC Santa Barbara.
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McCurdy, Melinda, and A. Bermingham (n85230569). 2005. “History and Human Experience in the Art of David Wilkie, 1806-1835”. UC Santa Barbara.
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Mitchell, Elizabeth, and A. Bermingham (n85230569). 2006. “Mechanical Reproduction and the Mechanical Philosophy: The Idea of Originality in Eighteenth-Century British Printmaking”. UC Santa Barbara.
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Korda, Andrea, and A. Bermingham (n85230569). 2010. “Printing and Painting the News in Victorian London: ’The Graphic’ and Social Realism”. UC Santa Barbara.
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Kendall, Steven, and A. Bermingham (n85230569). 2011. “Classicism and Modernity: Frederic Leighton and the English Nude”. UC Santa Barbara.
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DOI:10.26209/ahd

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