Jeanjean, Stephanie, and C. Bishop (no2005067298). 2012. “Spectatorship and the Screen As Interface: French Art Using Television and the Projected Image from the Late 1960s to the Present”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Singsen, Doug, and C. Bishop (no2005067298). 2013. “An Alternative by Any Other Name: Pulp Genres and Fandom in American Alternative Comics, 1974-2000”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Westerman, Jonah, and C. Bishop (no2005067298). 2014. “Standard Deviations: Reality, Reproducibility, and Politics in Performance Art since 1989”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Schoenberger, Janna, and C. Bishop (no2005067298). 2017. “Ludic Conceptualism: Art and Play in the Netherlands, 1959 to 1975”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Scott, Hallie, and C. Bishop (no2005067298). 2017. “Communicationists and Un-Artists: Pedagogical Experiments in California, 1966-1974”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Gerspacher, Arnaud, and C. Bishop (no2005067298). 2017. “Posthumanist Animals in Art: France and Belgium 1972-87”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Musteata, Natalie, and C. Bishop (no2005067298). 2018. “The ’I’ of the Artist-Curator”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Grayson, Saisha, and C. Bishop (no2005067298). 2018. “Cellist, Catalyst, Collaborator: The Work of Charlotte Moorman”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Sharpe, Gemma, C. Bishop (no2005067298), and M. Aitkin. 2019. “Minor Forms, Dismantled Norms: Mediums of Modernism in Pakistan”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS
Mowder, Meredith, and C. Bishop (no2005067298). 2021. “Art After Dark: Economies of Performance, New York City 1978-1988”. CUNY. BibTeXEndNote X3 XMLEndNote 7 XMLRIS