Art History Dissertations and Abstracts from North American Institutions | Compiled by Catherine D. Adams and Carolyn J. Lucarelli

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2022

Harakawa, Maya. 2022. “After The Renaissance: Art And Harlem In The 1960S”. CUNY.

Stark, Jessica Williams. 2022. “Anne Fischer: South African Photography And The Modernist Lens”. Harvard.

Heidenreich, Claire. 2022. “Apparition And Abstraction: Maurice Denis' Visionary Catholicism”. Penn State.

Carlisle, Rachel. 2022. “Augsburg All'antica: Picturing German Antiquity In The Age Of Print”. Florida State.

Valle, Luisa. 2022. “The Beehive, The Favela, The Castle, And The Ministry: Race And Modern Architecture In Rio De Janeiro, 1811 To 1945”. CUNY.

Koncz, Caroline. 2022. “Beyond Titian's Venus: The Nude Body And Social Control In Late Cinquecento Venetian Painting”. Ohio State.

Zapata, Claudia. 2022. “Chicano Art Is Not Dead: The Politics Of Curating Chicano Art In Major Us Exhibitions, 2008-2012”. Southern Methodist.

Kwon, Vicki Sung-yeon. 2022. “Connections In Friction: Socially Engaged Art In East Asia In Transnational Contact Zones”. Alberta.

Smith, Lauryn. 2022. “Cultivating Self And Displaying Status: Innovation And Exchange In The Cabinets Of Amalia Van Solms-Braunfels (1602-1675)”. Case Western Reserve.

Thames, Emily. 2022. “Empire, Race, And Agency In The Work Of José Campeche, Artist And Subject In Late Spanish Colonial Puerto Rico (1751-1809)”. Florida State.

Lagarde, Patricia. 2022. “Facing Pilgrimage: The Tenon Head Sculptures At Chavín De Huántar, Peru”. Tulane.

Lewis, Cynthia Neri. 2022. “Illuminated Walls Of The California Missions: The Index Of American Design (1936-1942) And The Creation Of A Usable Past”. UC Riverside.

Haveson Veloric, Cynthia. 2022. “Images, Theater, Embodied Experiences: How Ecoartists Are Shifting Consciousness Around The Climate Crisis”. University of the Arts.

Greenlee, Gaby. 2022. “Inka Borders And The Power Of Volatility: On The Fringes And Edges Of Textile And Territory”. UC Santa Cruz.

Wang, Gerui. 2022. “Landscape And The Representation Of Public Spaces: Chinese Visual Culture From Tenth To Fourteenth Century”. Michigan.

Kopta, Joseph R. 2022. “Materiality And Materialism Of Middle Byzantine Gospel Lectionaries (Eleventh-Twelfth Centuries Ce)”. Temple.

Patt, Rachel. 2022. “Meaning, Materiality, And Pothos In Late Antique Gold-Glass Portraits”. Emory.

Kramer, Sean. 2022. “Military Manhood: Visualizing The Common Soldier In French And British Art And Culture, 1871-1914”. Michigan.

Chang, Yuri. 2022. “Negotiating Urban Identities: International Art Events And The Cultural Identities Of Korean Cities, 1988-1995”. Binghamton.

Bachman, Christine. 2022. “Outside The Pages: The Making And Meaning Of Early Medieval Book Covers”. Delaware.

Mirseyedi, Sarah. 2022. “Process Work: Edouard Manet (1832-1883) And The Mass Image Industry”. Harvard.

Schrimsher, Kimberly. 2022. “Reinventing Guercino: Prints, Pedagogy, And The Role Of Imitation”. Emory.

Houseman, Justin Cody. 2022. “Roman Imperial Cinerary Urns: Production And Display”. Emory.

Hunter, Jessica. 2022. “Seeing And Not Seeing Giraffes: Explorations In Perception, Art, And Possibility”. University of the Arts.

Spear, Elizabeth. 2022. “Sites Of Negotiation: American Landscape Painting And Contexts Of Display, 1837-1919”. Iowa.

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