Literary Festivals and Contemporary Book Culture

Reference Type Book
Year of Publication
2018
Author
Language
English
Number of Pages
272 pp.
Publisher
Palgrave Macmillan
City
London, England
Region
Chronological Period
ISBN
9783319715100
Annotation

Contents: 

Chapter 1: Introduction

  • Contemporary Literary Festivals
  • Brief Context and History
  • Defining Literary Festivals
  • Existing Research
  • Research Goals
  • Conclusion
  • Bibliography 

Chapter 2: Recognising Literary Festivals

  • Production and Consumption, Commerce and Culture
  • From the Public Sphere to the Literary Field
  • Print Culture, Cultural Policy, and the Public Intellectual
  • Creating Value: Literary Celebrity and Literary Prizes
  • Arts Festivals
  • Literary Festivals
  • The Literary Festival Audience
  • Theoretical and Conceptual FrameworkLiterary Studies and Book History: Reader, Readership, Public
  • Media and Communications Studies: Consumers and the Mass Audience
  • Theatre and Performance Studies: Spectator Experience and the Theatre Audience
  • Introducing the Audience
  • Research Design
  • The Case Studies
  • Methodological Limitations
  • Conclusion
  • Bibliography 

Chapter 3: Patterns of Attendance and Experience

  • Introducing the Data
  • The Qualitative Case Studies
  • Edinburgh International Book Festival
  • Melbourne Writers Festival
  • Emerging Writers' Festival
  • Clunes Booktown Festival
  • Port Eliot Festival Quantitative Survey
  • Functions of the Audience Member: Spectator, Festival-goer, and Festival Participant
  • Motivations to Attend
  • Patterns of Experience and Interpretation
  • Positive and Negative Experiences
  • Active and Passive Engagement
  • Scholarly, Vernacular, and Middlebrow Engagement
  • Conclusion
  • Bibliography

Chapter 4: Online and Onsite: Intersections in Embodied and Digital Engagement

  • Framing the Relationship Between Live and Digital
  • The Digital Age
  • Digital Engagement with Literature and Literary Communities
  • Reading as Socially Engaged Activity
  • Materiality and VirtualityThe Appeal of the Live Event
  • Encountering the Writer
  • Engagement with the Physical Space
  • Shared Space and Shared Experience
  • Meetings and Findings
  • Uniqueness
  • Comparisons and Crossovers Between Virtual and Live Engagement
  • Conclusion
  • Bibliography

Chapter 5: Festival as Policy Vehicle: Creative Industries, Creative Cities, and the Creative Class

  • Cultural Policy and the Literary Festival: Historical Context
  • Literary Events and Ideological Projects
  • The Contemporary Literary Festival
  • Contemporary Cultural Policy: Cultural and Creative Industries Perspectives.;
  • The Emergence of Cultural Policy in the United Kingdom, Australia, Canada, and the United States Broadening Conceptions of Culture and the Introduction of Cultural Industries
  • Key Proponents of Creative Industries
  • Comparing Creative Industries Discourse and Literary Festivals: Key Constituencies
  • Comparing Creative Industries Discourse and Literary Festivals: Shared Social Values and Agendas
  • Reservations Regarding the Creative Industries Framework
  • Negotiations Between the Cultural and the Commercial
  • Lack of Ethical Engagement with Social Issues
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