@article{bibcite_330,
  keywords = {Critique et interpr{\'e}tation},
  author = {L. Shero},
  title = {Alcmena and Amphitryon in Ancient and Modern Drama },
  year = {1956},
  journal = {Transactions and Proceedings of the American Philological Association},
  volume = {87},
  pages = {192-240},
  publisher = {Johns Hopkins University Press},
  address = {Baltimore},
  note = {<p style="margin-left:.25in;">Passant en revue les pi{\`e}ces et les op{\'e}ras inspir{\'e}s de l\&rsquo;{\'e}pisode mythologique al\&rsquo;Alcm{\`e}ne et d\&rsquo;Amphtryon, l\&rsquo;auteur {\'e}voque <em>Les Sosies</em> qui, {\`a} l\&rsquo;exception de certaines modifications susceptibles de rendre la pi{\`e}ce de Rotrou \&laquo;\&nbsp;intelligible and acceptable to a refined French audience\&nbsp;\&raquo; (p.\&nbsp;215), suit d\&rsquo;assez pr{\`e}s l\&rsquo;<em>Amphitruo</em> de Plaute\&nbsp;; et <em>La Naissance d\&rsquo;Hercule</em>, con{\c c}ue \&laquo;\&nbsp;to provide a spectacle on a grand scale with much use of stage machinery\&nbsp;\&raquo; (p.\&nbsp;216). L\&rsquo;auteur renvoie aux {\'e}tudes de Karl von Reinhardstoettner, <em>Plautus. Sp{\"a}ter Bearbeitungen Plautinischer Lustspiele</em>. Leipzig, Verlag von Wilhelm Friedrich, 1886, p.\&nbsp;174-177, et de Hansres Jacobi, <em>Amphitryon</em><em> in Frankreich und Deutschland: Ein Beitrag zur vergleichenden Literaturgeschichte</em>. Z{\"u}rich, Juris Druck, 1952, p.\&nbsp;21-27.</p>},
  language = {Anglais},
}