@article{bibcite_536,
  keywords = {Critique et interpr{\'e}tation},
  author = {Joseph Harris},
  title = {Paying the Fool: Rotrou and the Economics of Entertainment },
  year = {2006},
  journal = {Journal of Romance Studies},
  volume = {6},
  pages = {47-60},
  month = {01/2006},
  publisher = {Institute of Modern Languages Research, U. of London},
  address = {Londres},
  note = {<p style="margin-left:.25in;">Alors que dans les tragi-com{\'e}dies d\&rsquo;<em>Ag{\'e}silan de Colchos</em> et d\&rsquo;<em>Am{\'e}lie</em>, les personnages \&ldquo;bouffons\&rdquo; manifestent la gratuit{\'e} du rire, l\&rsquo;Ergazile des <em>Captifs</em> et le Fabrice de <em>La Bague de l\&rsquo;oubli</em> {\'e}voqueraient la complexit{\'e} de la com{\'e}die en tant que commodit{\'e} marchande au sein d\&rsquo;un {\'e}change {\'e}conomique. \&laquo;\&nbsp;Far from showing laughter and comedy as an essential positive and generous practice [...] these comedies repeatedly portray humour as a lack, a pledge left unhonoured, a promise of payment which remains forever unfulfilled\&nbsp;\&raquo; (p.\&nbsp;58).</p>},
  language = {Anglais},
}