@booklet {11204, title = {{\textquotedblleft}The Department of Talent Resources. We Can Take Care of Everything: Part I{\textquotedblright}}, howpublished = {Ignorance is Strength: The Dystopia Triptych 1}, year = {2020}, month = {2020}, pages = {3-24}, publisher = {Broad Reach Publishing + Adamant Press}, address = {New York/London}, abstract = {

The first part of a three-part story developed over three volumes. In this part, a young woman who is struggling to survive financially after a bad accident is approach by a recruiter for a corporation that promises to take care of everything if she signs on. In the second part, \“Keep Your Streak Going! We Can Take Care of Everything: Part II.\” Burn the Ashes: The Dystopia Triptych 2. Ed. John Joseph Adams, Hugh Howey, and Christine Yant New York/London: Broad Reach Publishing + Adamant Press, 2020), 3-16, she has been working for the corporation for six years, health problems solved, living on its campus, which she never leaves, and appears happy while under constant pressure to fulfill set tasks within specified time periods to gain or lose credits, which are needed for everything. She and a man she just met even conceive a child to gain credit. The man is not a hard worker and falls down in the system. The woman does well, but at the end of the story her now-grown daughter chooses to leave the corporation and strike out on her own. In the third part, \“You Have Been Crowdfunded. We Can Take Care of Everything: Part II.\” or Else the Light: The Dystopia Triptych 3. Ed. John Joseph Adams, Hugh Howey, and Christine Yant New York/London: Broad Reach Publishing + Adamant\  Press, 2020), 3-16, she and three friends are looking to retire at\ one of the corporation\’s retirement homes but cannot actually confirm their existence or contact anyone they know who has retired.

}, keywords = {Female author, US author}, isbn = { 979-8677287572 979-8677291012 ‎ 979-8677298424}, author = {Carrie Vaughn (b. 1973)}, editor = {John Joseph Adams (b. 1976) and Hugh [Crocker] Howey (b. 1975) and Christine Yant} }