@booklet {535, title = {Darkwater: Voices from within the Veil}, year = {1920}, note = {

\“The Comet\” (253-73) is rpt. in Dark Matter: A Century of Speculative Fiction from the African Diaspora. Ed. Sheree R. Thomas (New York: Warner Books, 2000), 5-18; in Grave Predictions: Tales of Mankind\’s Post-Apocalyptic, Dystopian and Disastrous Destiny. Ed. Drew [Andrew] Ford (Mineola, NY: Dover, 2016), 10-24; in Black Sci-Fi Short Stories: An Anthology of New \& Classic Stories (London: Flame Tree Publishing, 2021), 24-31; and in Voices from the Radium Age. Ed Joshua Glenn (Cambridge, MA: The MIT Press, 2022), 141-180.

}, month = {1920}, publisher = {Harcourt, Brace and Howe}, address = {New York}, abstract = {

cken Books, 1969; and as a volume in The Oxford W. E. B. Du Bois. New York: Oxford University Press, 2007, with an \“Introduction\” by Evelyn Brooks Higginbotham (xxv-xxxix). U.K. ed. London: Constable, 1920. Du Bois called it the second of his volume of essays between The Souls of Black Folk (1903) and Dusk of Dawn (1940). PSt

Eutopia. A collection of essays, poems, and short stories that culminates in a eutopia in the story \“The Comet\” (253-73), which is rpt. in Dark Matter: A Century of Speculative Fiction from the African Diaspora. Ed. Sheree R. Thomas (New York: Warner Books, 2000), 5-18; in Grave Predictions: Tales of Mankind\’s Post-Apocalyptic, Dystopian and Disastrous Destiny. Ed. Drew [Andrew] Ford (Mineola, NY: Dover, 2016), 10-24; in Black Sci-Fi Short Stories: An Anthology of New \& Classic Stories (London: Flame Tree Publishing, 2021), 24-31; and in Voices from the Radium Age. Ed Joshua Glenn (Cambridge, MA: The MIT Press, 2022), 141-180; and the poem \“A Hymn to the Peoples\” (275-76) in both of which the importance of racial differences disappears.

}, keywords = {African American author, Male author}, author = {W[illiam] E[dward] Burghardt Du Bois (1868-1963)}, editor = {W. E. B. Du Bois} }