@booklet {456, title = {"June 6, 2016"}, howpublished = {Colliers (New York)}, volume = {57.6}, year = {1916}, note = {

Rpt. in When Women Rule. Ed. Sam[uel] Moskowitz (New York: Walker, 1972), 72-94.

}, month = {April 22, 1916}, pages = {7-9, 27-28, 30-32}, abstract = {

A love story set in a technological eutopia that has greater gender equality but with many of the same issues remaining.

}, keywords = {Male author, US author}, author = {George Allan England (1877-1936)} } @booklet {436, title = {The Air Trust}, year = {1915}, note = {

Rpt. Westport, CT: Hyperion Press, 1976. Originally published in The National Rip-Saw (January - October 1915) as \“The Story of the Air Trust.\”

}, month = {1915}, publisher = {Phil Wagner}, address = {St. Louis, MO}, abstract = {

Dystopia. A trust gains control of the air and enslaves humankind, but it is overthrown.\ For a work using a similar idea, see 1897 Mills, \“The Aerial Brickyard.\”

}, keywords = {Male author, US author}, author = {George Allan England (1877-1936)} } @booklet {8877, title = {Darkness and Dawn}, year = {1914}, note = {

Rpt. Westport, CT: Hyperion Press, 1974 with unpaged \“The Fantastic in Fiction\” by the author, originally published as \“Facts About Fantasy.\” The Story World (July 1923). Originally serialized as \“Darkness and Dawn.\” The Cavalier 10. 4 (January 1912): 621-34; The Cavalier and the Scrap Book 11.1 - 3 (January 6 - 20, 1912): 169-85, 321-39, 521-33; \“Beyond the Great Oblivion.\” The Cavalier 24.1 - 25.2 (January 4 - February 8, 1913): 1-34, 215-32, 434-52, 645-65; 115-34, 272-92; and \“The Afterglow.\” Cavalier 29.4 - 30.3 (June 14 - July 5, 1913): 577-607; 71-100, 250-78, 495-519. All three were rpt. in Famous Fantastic Mysteries 2.3 (August 1940: 6-78; 3.2 (June 1941): 6-105; 3.5 (December 1941): 6-94.

}, month = {1914}, publisher = {Small, Maynard}, address = {Boston, MA}, abstract = {

Much of the novel is a post-catastrophe dystopia with a young couple apparently alone struggling to survive, then in conflict with other survivors, but the novel ends depicting the beginnings of a new egalitarian, peaceful eutopian society.

}, keywords = {Male author, US author}, author = {George Allan England (1877-1936)} }