@booklet {10346, title = {"Vision 1-6"}, howpublished = {Undercurrents. Radical Technology}, year = {1976}, note = {

U.S. ed. (New York: Pantheon Books/Random House, 1976), 48-49, 94-85, 132-33, 168-69, 200-201, 228-29. Rpt. in a different order as foldout plates in Why Work? Arguments for the Leisure Society. Ed. Vernon Richards (London: Freedom Press, 1983), 149-54, with commentary by Colin Ward \ rather than the original description.

}, month = {1976}, pages = {48-49, 94-85, 132-33, 168-69, 200-201, 228-29}, publisher = {Wildwood House}, address = {London}, abstract = {

Anarchist utopia described in six illustrations with brief notes and some with captions. The visions are of a collectivised garden, a basement workshop, an autonomous village, an autonomous terrace, a community workshop, and a community media centre. Strikingly, the only people shown working are women, and Colin Ward comments on this saying, \“Note that the last male chauvinist is sulking in the corner. The women have taken over the shop\”\ (133/Why Work\ 153).

}, keywords = {English author, Male author}, author = {Clifford Harper (b. 1949)} } @booklet {10337, title = {Class War Comik Number 1 New Times}, year = {1974}, note = {

New ed. as Class War Comix No. 1.\  Princeton, WI: Kitchen Sink Enterprises, 1979.

}, month = {1974}, pages = {[i] + 33 pp.}, publisher = {Epic Publications}, address = {London}, abstract = {

Intended to be the first of six issues, but no more were published. In this issue, the people in a rural anarchist intentional community are completely disengaged from politics and only interested in themselves as individuals so that little work gets done, and the work that gets done is not necessarily what is needed.

}, keywords = {English author, Male author}, author = {Clifford Harper (b. 1949)} }