@booklet {1863, title = {Island}, year = {1962}, note = {

Rpt. London: Flamingo, 1994.

}, month = {1962}, publisher = {Harper \& Row}, address = {New York}, abstract = {

Free love, psychedelic drugs, science, and religion bring eutopia.

}, keywords = {English author, Male author, US author}, author = {Aldous [Leonard] Huxley (1894-1963)} } @booklet {1299, title = {Ape and Essence}, year = {1948}, note = {

Rpt. New York: Bantam Books, 1958; and London: Flamingo, 1994.

}, month = {1948}, publisher = {Harper}, address = {New York}, abstract = {

Post-atomic war dystopia. Barbarianism. Eugenic rules are in place due to mutations, and babies outside certain parameters are killed. Love is not allowed, and there are sexual orgies at specified times. Worship of the Devil. It was adapted for TV by John Finch and directed by David Benedictus, it aired as an episode of the Wednesday Play on BBC on May 18, 1966. Huxley wrote a dramatization that remain unpublished until 2019 when it appeared in the Aldous Huxley Annual: A Journal of Twentieth-Century Thought and Beyond, no. 19 (2019): 19-91, accompanied by James Sexton and Bernfried Nugel, \“Aldous Huxley\’s Unpublished Dramatization of Ape and Essence (1-12); their \“Note on the Text\” (13), and some pages of the manuscript (14-17).

}, keywords = {English author, Male author, US author}, author = {Aldous [Leonard] Huxley (1894-1963)} } @booklet {827, title = {Brave New World}, year = {1932}, note = {

U.S. ed. Garden City, NY: Doubleday, Doran, 1932. Rpt. New York: The Modern Library, 1946 With a special Foreword by the author (unpaged); New York: Harper \& Brothers, 1950, with an \“Introduction\” by Charles J. Rolo (vii-xviii); [Avon, CT]: The Limited Editions Club, 1974; illus. Mara McAfee and with an \“Introduction\” by Ashley Montagu (v-xi); illus. Leonard Rosoman. London: The Folio Society, 1971; in Brave New World and Brave New World Revisited (New York: HarperCollins, 2004), 1-231, with a \“Foreword\” by Christopher Hitchins (vii-xxi); and Toronto, ON, Canada: Vintage Canada, 2007, with an \“Introduction\” by Margaret Atwood (v-xiv); and illus. Finn Dean. London: The Folio Society, 2013, with an \“Introduction by Ursula K. Le Guin (ix-xiv), which was rpt. as Huxley\’s Bad Trip.\” In her Words Are My Matter: Writings About Life and Books 2000-2016 (Easthampton, MA: Small Beer, 2016), 127-32.\ \ Also, Brave New World. A Graphic Novel. Adapted and illus. by Fred Fordham. New York: HarperCollins, 2022.

}, month = {1932}, publisher = {Chatto \& Windus}, address = {London}, abstract = {

Classic authoritarian dystopia with drugs, behavior modification, and promiscuity. Huxley later argued that the world depicted in this novel was approaching much faster than he had expected.\ 

}, keywords = {English author, Male author, US author}, author = {Aldous [Leonard] Huxley (1894-1963)} }