@booklet {11232, title = {{\textquotedblleft}The Orphan of Greenridge (Water). Ko Ko N{\'e} {\"A}: Part I{\textquotedblright} }, howpublished = {Ignorance is Strength: The Dystopia Triptych 1}, year = {2020}, month = {2020}, pages = {241-56}, publisher = {Broad Reach Publishing + Adamant Press}, address = {New York/London}, abstract = {

Dystopia in three parts linked by connections to indigenous cultures and the effects of climate change. In the first story, water is rationed, and the testing of water is rigged to hide the fact that it is contaminated. In the second story, a woman with a baby is trying to escape conflict. In the third story, Texas is one of the few states that sells off mostly abandoned land to the very rich.

}, keywords = {Female author, Native American author}, isbn = {979-8677287572 979-8677291012 979-8677298424}, author = {Darcie Little Badger (b. 1987)}, editor = {John Joseph Adams (b. 1976) and Hugh [Crocker] Howey (b. 1975) and Christine Yant} } @booklet {11080, title = {"Venom and Bite"}, howpublished = {Glitter + Ashes: Queer Tales of a World that Wouldn{\textquoteright}t Die}, year = {2020}, month = {2020}, pages = {76-86}, publisher = {Neon Hemlock Press}, address = {[Washington, DC]}, abstract = {

The story is set in a climate change dystopia in which most people live underground, and the country is mostly desert.\ 

}, keywords = {Female author, Native American author}, isbn = {978-1-952086-10-6 }, author = {Darcie Little Badger (b. 1987)}, editor = {Dave Ring} } @booklet {11734, title = {{\textquotedblleft}Story for a Bottle{\textquotedblright}}, howpublished = {Love After the End: Two-Spirit Utopias \& Dystopias}, year = {2019}, note = {

Rpt. as Love After the End: An Anthology of Two-Spirit \& Indigiqueer Speculative Fiction. Ed. Joshua Whitehead (Vancouver, BC, Canada: Arsenal Pulp Press, 2020), 113-133.

}, month = {2019}, publisher = {Bedside Press}, address = {Narol, MB, Canada}, abstract = {

The story is set in a future New Houston that is near the new coast and on the remains of a doomsday city (a huge ocean liner) built by the wealthy to escape the apocalypse and live the good life at sea.\ 

}, keywords = {Female author, Native American author}, isbn = {9781988715247 9781551528113 }, author = {Darcie Little Badger (b. 1987)}, editor = {Joshua Whitehead} } @booklet {9203, title = {{\textquotedblleft}Black, Their Regalia{\textquotedblright}}, howpublished = {People of Colo(u)r Destroy Fantasy!}, volume = {no. 60}, year = {2016}, note = {

Rpt. in Wastelands: The New Apocalypse. Ed. John Josephs Adams (London: Titan Books, 2019), 176-189.

}, month = {December 2016}, pages = {6-13 with {\textquotedblleft}Author Spotlight: Darcie Little Badger{\textquotedblright} an interview of the author by Nicasio Andres Reed (122-23)}, abstract = {

Fantasy story set in a racist dystopia.

}, keywords = {Female author, Native American author}, author = {Darcie Little Badger (b. 1987)}, editor = {Daniel Jos{\'e} Older (b. 1980)} } @booklet {10727, title = {N{\'e} {\L}e!{\textquotedblright}}, howpublished = {Love Beyond the Body, Space and Time: An Indigenous LGBT Sci-Fi Anthology}, year = {2016}, month = {2016}, pages = {60-76}, publisher = {Bedside Press}, address = {[Winnipeg, MB, Canada] }, abstract = {

The background to the story is a future with both eutopian and dystopian elements. Mars has been successfully settled, and various space habitats have been developed with different rules and regulations and some designed for specific ethnic groups, including one Orbiter Din{\'e} [Navajo]. But all Native Americans not living on reservations have been forced off their land, and most people still on Earth live in huge megaplexes.\ 

}, keywords = {Female author, Native American author}, isbn = {9780993997075}, author = {Darcie Little Badger (b. 1987)}, editor = {Hope Nicholson and Erin Crossar and Sam Beiko} }