@booklet {3929, title = {Vic and Blood: The Chronicles of a Boy and His Dog}, year = {1988}, note = {

Rpt. New York: St. Martin\’s Press, 1989; and with the subtitle The Continuing Adventures of a Boy and His Dog. New York: iBooks, 2003. The novel is composed of three stories: \“Eggsucker.\” Illus. Richard Corben. Ariel: The Book of Fantasy Vol. 2. Ed. Richard Durwood (Leawood, KS: Morning Star Press, 1977), 6-13; \“A Boy and His Dog.\” In his The Beast That Shouted Love at the Heart of the World (New York: Avon, 1969), 208-45. Rpt. in New Worlds Science Fiction, no. 189 (April 1979): 4-16; rpt. in Beyond Armageddon: Twenty-One Sermons to the Dead. Walter M. Miller, Jr. and Martin H[arry] Greenberg (New York: Donald I. Fine, 1985), 332-73; and in\ The Best of the Nebulas\ (New York: Tor/Tom Doherty Associates, 1989), 359-89, with an \“Author\’s Foreword\” on 358;\ \“Run, Spot, Run.\” Mediascene Prevue (September/October 1980) [not found]; rpt. Illus. Richard [Vance] Corben. Amazing Science Fiction Stories Combined With Fantastic 27.10 (January 1981): 15-25.\ 

}, month = {1988}, publisher = {Donning}, address = {Norfolk, VA}, abstract = {

Graphic novel. Post-nuclear war dystopia. Underground there is an authoritarian dystopia trying to maintain a conservative way of life. On the surface is a violent dystopia of male loners and small groups.

}, keywords = {Male author, US author}, author = {Harlan [Jay] Ellison (1934-2018) and Richard [Vance] Corben (1940-2020)} } @booklet {2675, title = {"Catman"}, howpublished = {Final Stage: The Ultimate Science Fiction Anthology}, year = {1974}, note = {

The author\&$\#$39;s original version was published in the U.K. ed.\ Final Stage: The Ultimate Science Fiction Anthology. Ed. Edward L. Ferman and Barry N[athaniel] Malzberg (Harmondsworth, Eng.: Penguin, 1975), 134-70. \"Afterword\" (170-75). Rpt. in Ellison,\ Approaching Oblivion: Road Signs on the Treadmill Toward Tomorrow. Eleven Uncollected Stories\ (New York: Walker \& Co., 1974), 141-77; and in\ Cybersex. Ed. Richard Glyn Jones (New York: Carroll \& Graf, 1996), 126-59.

}, month = {1974}, pages = {140-78}, publisher = {Charterhouse}, address = {New York}, abstract = {

A dystopia of corrupt capitalism is the background to the story.

}, keywords = {Male author, US author}, author = {Harlan [Jay] Ellison (1934-2018)}, editor = {Edward L Ferman (b. 1937) and Barry N[athaniel] Malzberg (b. 1939)} } @booklet {2514, title = {"The Big Space Fuck"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, note = {

Rpt. in Cybersex. Ed. Richard Glyn Jones (New York: Carroll \& Graf, 1996), 68-74; in his Novels \& Stories, 1963-1973. Ed. Sidney Offit (New York: Library of America, 2011), 773-78 with a Note on the Text (835) and\ \“Notes\” on 850; and in his Complete Stories. Ed. Jerome Klinkowitz \& Dan Wakefield (New York: Seven Stories Press, 2017), 895-99.\ .\ 

}, month = {1972}, pages = {267-72 with an "Introduction" (262-67) by Ellison and an "Afterword" (272) by Vonnegut.}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Satirical dystopia primarily concerned with overpopulation and pollution.

}, keywords = {Male author, US author}, author = {Kurt Vonnegut Jr. (1922-2007)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2506, title = {"Ching Witch!"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, month = {1972}, pages = {10-26 with an "Introduction" (6-10) by Ellison and an "Afterword" (26-27) by Rocklin}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Dystopia in which Earth is the only planet left where there are wars, and it is destroyed. The story is about the lone survivor who travels to the planet Zephyrus, which appears to be dominated by teenagers, where he represents himself as a representative from Earth and appeals to the teenagers with the music and dance fads of Earth.

}, keywords = {Male author, US author}, author = {[Ross Louis] [Rocklin] (1913-88)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2537, title = {"Elouise and the Doctors of the Planet Pergamon"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, note = {

Rpt. in her\ The Power of Time\ (London: Chatto \& Windus/The Hogarth Press, 1985), 125-41.

}, month = {1972}, pages = {488-500 with an "Introduction" (485-87) by Ellison and an "Afterword" (500-01) by Saxton}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Dystopia. A society in which equality is achieved by making everyone ill.

}, keywords = {Female author, US author}, author = {Josephine [Mary Howard] Saxton (b. 1935)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2516, title = {"The Funeral"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, note = {

Rpt. in her The Infinity Box: A collection of speculative fiction (New York: Harper \& Row, 1975), 288-318; in More Women of Wonder: Science Fiction Novelettes By Women About Women. Ed. Pamela Sargent (New York: Vintage, 1976), 175-213; in In the Field of Fire. Ed. Jeanne Van Buren Dann and Jack Dann (New York: Tor, 1987), 157-68 with an editors\’ note on 158; in Women of Wonder: The Classic Years. Science Fiction by Women from the 1940s to the 1970s. Ed. Pamela Sargent (San Diego, CA: Harcourt Brace, 1995), 263-87; in Brave New Worlds. Ed. John Joseph Adams (San Francisco, CA: Night Shade Books, 2011), 47-67; 2nd ed. ed. John Joseph Adams (San Francisco, CA: Night Shade Books, 2012), 47-67; and in The Future is Female! More Classic Science Fiction by Women Volume 2: The 1970s. Ed. Lisa Yaszek (New York: Library of America, 2023), 23-58, with a biographical note on 474-476 and a note on the text on 479-481.

}, month = {1972}, pages = {218-41 with an "Introduction" (217) by Ellison and an "Afterword" (241-42) by Wilhelm.}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Post catastrophe dystopia with society divided into castes. The center of power is the schools and teachers hold great authority, and children are under the complete control of the teachers. The old resent the young and had most of them killed three times in the past.

}, keywords = {Female author, US author}, author = {Kate [Katie Gertrude Meredith] Wilhelm (1928-2018)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2486, title = {"Moth Race"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, month = {1972}, pages = {538-48 with an "Introduction" (538-39) by Ellison and an "Afterword" (548-49) by Hill}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Overpopulation dystopia where people are given pills to keep them under control and food comes in pills. People could live long lives and were fed, clothed, housed, and ensured of regular sex but only a few were permitted to have children. In the annual race people self-selected to race in cars over a course on which gates would spring up and, if they hit one, they died in the wreck. Only one man had ever survived, and his reward was the best of everything.

}, keywords = {Male author}, author = {Richard Hill}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2487, title = {"Soundless Evening"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, note = {

Rpt. in\ Earth In Transit: Science Fiction and Contemporary Problems. Ed. Sheila Schwartz (New York: Dell, 1976), 152-55.

}, month = {1972}, pages = {423-26 with an "Introduction" (420-22) by Ellison and an "Afterword" (426) by Hoffman}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Overpopulation dystopia in which each person could have one child and any children beyond that were killed at age five.

}, keywords = {Female author, US author}, author = {[Shirley Bell] Hoffman (1932-2007)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2533, title = {"Stoned Counsel"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, month = {1972}, pages = {294-306 with an "Introduction" (293-94) by Ellison and an "Afterword" (307-08) by Ramsey}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Satire on the drug culture and the legal profession in which a variety of drugs are used in court by attorneys.

}, keywords = {Male author, US author}, author = {[Ben Neal] [Ramsey] (1921-77)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2508, title = {"When It Changed"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, note = {

Rpt. in her The Zanzibar Cat ([Sauk City, WI]: Arkham House, 1983), 3-11; in The New Women of Wonder: Recent Science Fiction Stories By Women About Women. Ed. Pamela Sargent (New York: Vintage, 1977), 227-39; in Kindred Spirits: An Anthology of Gay and Lesbian Science Fiction Stories. Ed. Jeffrey M. Elliot (Boston, MA: Alyson Publications, 1984), 45-53; in The Best of the Nebulas (New York: Tor/Tom Doherty Associates, 1989), 204-10, with an \“Author\’s Foreword\” on 203; in Feminist Philosophy and Science Fiction: Utopias and Dystopias. Ed. Judith A. Little (Amherst, NY: Prometheus Books, 2007), 333-40; in The Wesleyan Anthology of Science Fiction. Ed. Arthur B. Evans, Istvan Csicsery-Ronay, Jr., Joan Gordon, Veronica Hollinger, Rob Latham, and Carol McGuirk (Middletown, CT: Wesleyan University Press, 2010), 507-15 with an editors\’ note on 507-08; in Sisters of the Revolution: A Feminist Speculative Fiction Anthology. Ed. Ann VanderMeer and Jeff VanderMeer (Oakland, CA: PM Press, 2015), 194-202; in The Big Book of Science Fiction: The Ultimate Collection. Ed. Ann and Jeff VanderMeer (New York: Vintage Crime/Black Lizard Vintage Books, 2016), 603-07 with an editors\’ note on 602; in The Future is Female! More Classic Science Fiction by Women Volume 2: The 1970s. Ed. Lisa Yaszek (New York: The Library of America, 2023), 59-69, with a biographical note on 492-493, and notes on the text on 481-483; and in Russ, Novels and Stories. Ed. Nicole Rudick (New York: The Library of America, 2023), 621-629, with a Chronology on 681-694 that includes chronologically references to Russ\’s publications, notes on the text on 697, and notes on 708-710.

}, month = {1972}, pages = {253-60 with an "Introduction" (248-52) by Ellison and an "Afterword" (260-62) by Russ.}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Eutopia without men, who had all died in a plague, and the clash that occurs when men from Earth arrive. The eutopia is called Whileaway, the name of the eutopia in 1975 Russ. The story is told from the point-of-view of one of two happily married women with three children.

}, keywords = {Female author, US author}, author = {Joanna [Ruth] Russ (1937-2011)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2490, title = {"With the Bentfin Boomer Boys on Little Old New Alabama"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, note = {

Rev. in his\ Space War Blues. New York: Dell, 1978. Rpt. Boston, MA: G.K. Hall, 1980 with an \"Introduction\" by James R. Frenkel (v-xi). The volume also includes an \"Introduction: Sailing the Dark With the Bentfin Bappa Zappa Kid\" by Ellison (9-26), a \"Preface: And I Awoke--Was This Some Kind of Joke\" by Lupoff (27-33) and revised versions of his related stories \"Our Own little Mardi Grass.\"\ Heavy Metal\ (August 1977): 58-61, 96; \"After the Dreamtime.\"\ New Dimensions IV. Ed. Robert Silverberg (New York: New American Library, 1974), 9-39; \"Sail the Tide of Mourning.\"\ New Dimensions 5. Ed. Robert Silverberg (New York: Harper \& Row, 1975), 214-34; and \"The Bentfin Boomer Girl Comes Through.\"\ Amazing Stories\ 50.4 (March 1977): 28-46.

}, month = {1972}, pages = {676-765 with an "Introduction" (671-75) by Ellison and "Afterword" (765-67) by Lupoff.}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Dystopia with Earth\&$\#$39;s past racial conflict now taking place in space.

}, keywords = {Male author, US author}, author = {Richard A[llen] Lupoff (1935-2020)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2488, title = {"The Word for World is Forest"}, howpublished = {Again, Dangerous Visions: 46 Original Stories}, year = {1972}, note = {

. Published separately New York: Berkley, 1976. Rpt. London: Gollancz, 1977, with an \“Author\’s Introduction\" (5-10); London: Gollancz, 2014, with an \“Introduction\” by Ken MacLeod (1-3) and the \“Author\’s Introduction\” (5-10); and in Hainish Novels \& Stories Volume Two. The World for Word Is Forest Stories Five Ways to Forgiveness The Telling. Ed. Brian Attebery (New York: Library of America, 2017), 1-104 with a \“Note on the Text\” (780), \“Notes (783-84), and \“Introduction to The Word for World Is Forest\” from the 1977 Gollancz edition (753-57).\ 

}, month = {1972}, pages = {32-117 with an "Introduction" (28-31) by Ellison and an "Afterword" (117-18) by Le Guin}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Human colonial dystopia versus indigenous eutopia. Exploitative colonization that treats the indigenous inhabitants as if they were animals, enslaving them, raping them, and destroying their way of life to ship timber back to Earth, which had been denuded of it. The indigenous inhabitants have a very complex, non-technological life deeply in tune with their planet. No government or overall authority with significant cultural difference among the communities. The women in each community, and the especially the headwoman, and the practical organizers of their communities\’ activities. Some of the men were active dreamers in touch with a different reality.

}, keywords = {Female author, US author}, author = {Ursula K[roeber] Le Guin (1929-2018)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2387, title = {"Silent in Gehenna"}, howpublished = {The Many Worlds of Science Fiction}, year = {1971}, note = {

Rpt. in his\ Approaching Ellison: Road Signs on the Treadmill Toward Tomorrow. Eleven Uncollected Stories\ (New York: Walker, 1974), 97-114.

}, month = {1971}, pages = {196-217}, publisher = {E. P. Dutton}, address = {New York}, abstract = {

Dystopia of patriotism with the universities run by the military.

}, keywords = {Male author, US author}, author = {Harlan [Jay] Ellison (1934-2018)}, editor = {Ben[jamin William] Bova (1932-2020)} } @booklet {2251, title = {"Along the Scenic Route"}, howpublished = {Deathbird Stories}, year = {1969}, note = {

Book rpt. as the\ Collector\&$\#$39;s Edition. Norwalk, CT: The Easton Press, 1990 illus. Jill Bauman and with an \"Introduction\" (v-viii) by Terry Dowling with a textual note that all stories have been reviewed by Ellison for needed corrections.\ Story rpt. in his The Beast Who Shouted Love at the Heart of the World (New York: Avon, 1969), 19-28;\ in Car Sinister. Ed. Robert Silverberg, Martin Harry Greenberg, and Joseph Olander (New York: Avon Books, 1979), 243-53;\ and in\ The Essential Ellison: A 35-Year Retrospective. Ed. Terry Dowling with Richard Delap and Gil Lamont (Omaha, NB: Nemo Press, 1987), 439-47. Originally published as \"Dogfight on 101\" in\ Adam\ (August 1969) and\ Amazing Stories\ 43.3 (September 1969): 6-14. The current title is Ellison\&$\#$39;s preference.

}, month = {1969/1983}, pages = {22-32}, publisher = {Bluejay Books}, address = {[New York]}, abstract = {

Action tale that suggests a macho, dystopian society.

}, keywords = {Male author, US author}, author = {Harlan [Jay] Ellison (1934-2018)} } @booklet {9951, title = {"Aye, and Gomorrah"}, howpublished = {Dangerous Visions: 33 Original Stories}, year = {1967}, note = {

Rpt. in his Driftglass. Ten Tales of Speculative Fiction (New York: New American Library, 1971), 111-20. Book rpt. without the subtitle. New York: Gregg Press, 1977.\ Book Club edition (Garden City, NY: Nelson Doubleday, 1971), 101-11; in\ The Best of the Nebulas\ (New York: Tor/Tom Doherty Associates, 1989), 143-50, with an \“Author\’s Foreword\” on 142; in his Driftglass/Starshards (London: Grafton, 1993), 118-30; and in his Aye and Gomorrah. Stories (New York: Vintage Books, 2003), 91-101.

}, month = {1967}, pages = {534-44 with an {\textquotedblleft}Introduction{\textquotedblright} (532-34) by Ellison and an {\textquotedblleft}Afterword{\textquotedblright} (544) by Delany}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

The story is set in a future in which spacers must be neutered and focuses on how this affects both the spacers and the population, some of whom are sexually attracted to them.\ 

}, keywords = {African American author, Male author}, author = {Samuel R[ay] Delany (b. 1942)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {10044, title = {"Ersatz"}, howpublished = {396-413 with an {\textquotedblleft}Introduction{\textquotedblright} (396-99) by Ellison and an {\textquotedblleft}Afterword{\textquotedblright} (402-03) by the Slesar}, year = {1967}, month = {1967}, pages = {396-413 with an {\textquotedblleft}Introduction{\textquotedblright} (396-99) by Ellison and an {\textquotedblleft}Afterword{\textquotedblright} (402-03) by the Slesar}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

A brief future war dystopia in which most civilians have been killed and most things, such as food, are now made from fake materials.

}, keywords = {Male author, US author}, author = {Henry Slesar (1927-2002)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2057, title = {"Eutopia"}, howpublished = {Dangerous Visions: 33 Original Stories}, year = {1967}, note = {

Rpt. in his\ Past Times\ (New York: Tor, 1996), 112-39, with the \"Afterword\" (139-41); in\ The Best Alternate History Stories of the 20th Century. Ed. Harry Turtledove with Martin H. Greenberg (New York: Ballantine Books, 2001), 251-68; and in\ The Collected Short Stories of Poul Anderson. Volume 4 Admiralty. Ed. Rick Katze (Framingham, MA: The NESFA Press, 2011), 334-47 with the \"Afterword\" entitled \"Eutopia Afterword\" (348-49).

}, month = {1967}, pages = {274-91 with an "Introduction" (272-74) by Ellison and an "Afterword" (291-92) by Anderson}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Flawed utopia modeled on classical Athens complete with accepted homosexuality. But the utopia has become so planned and ordered as to become dull. The story only reveals this at the end and is concerned with a member of Eutopia visiting another country where he is liable to being killed for his homosexuality.

}, keywords = {Male author, US author}, author = {Poul [William] Anderson (1926-2001)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2092, title = {"The Happy Breed"}, howpublished = {Dangerous Visions: 33 Original Stories}, year = {1967}, month = {1967}, pages = {414-31 with an "Introduction" (414-15) by Ellison and an "Afterword" (431-32) by Sladek}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Dystopia of a world without pain. The Therapeutic Environment Machines initially provide therapy, thus putting all therapists out of work, but gradually they come to control all aspects of life. They provided complete medical care, thus putting all doctors out of work. The only jobs were \“Happiness Jobs--make-work invented by the Machines.\” The Machines then regress everybody back to childhood. U.S. author who lived in the U.K. for about twenty years from 1966.

}, keywords = {English author, Male author, US author}, author = {John T[homas] Sladek (1937-2000)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2113, title = {"If All Men Were Brothers, Would You Let One Marry Your Sister?"}, howpublished = {Dangerous Visions: 33 Original Stories}, year = {1967}, note = {

Rpt. in his\ Case and the Dreamer\ (Garden City, NY: Nelson Doubleday, 1974), 52-102; and in\ The Nail and the Oracle. Volume XI. The Complete Stories of Theodore Sturgeon. Ed. Paul Williams (Berkeley, CA: North Atlantic Books, 2007), 137-80.

}, month = {1967}, pages = {346-86 with an "Introduction" (344-46) by Ellison and "Afterword" (386-89) by Sturgeon}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Eutopia based on incest, which is the one thing that people on other planets find unacceptable. See the note at 1949 Sturgeon.

}, keywords = {Male author, US author}, author = {Theodore Sturgeon (1918-1985)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2068, title = {"Riders of the Purple Wage or the Great Gavage"}, howpublished = {Dangerous Visions: 33 Original Stories}, year = {1967}, note = {

Rpt. in his\ The Purple Book\ (New York: Tom Doherty \& Associates 1982), 29-143; in\ The Classic Philip Jos{\'e} Farmer 1964-1973\ (New York: Crown, 1984), 30-103; and in\ The Philip Jos{\'e} Farmer Centennial Collection. Ed. Michael Croteau (Np: Meteor House, 2018), 363-437.\ \ 

}, month = {1967}, pages = {33-101 with an "Introduction" (30-32) by Ellison and an "Afterword" (101-04) by Farmer.}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Background includes a future authoritarian and corrupt dystopia. Most people are apparently well off but without much focus or depth.

}, keywords = {Male author, US author}, author = {Philip Jos{\'e} Farmer (1918-2009)}, editor = {Harlan [Jay] Ellison (1934-2018)} } @booklet {2009, title = {"{\textquoteright}Repent, Harlequin!{\textquoteright} Said the Ticktockman"}, howpublished = {Galaxy Magazine}, volume = {24.2}, year = {1965}, note = {

Rpt. in his\ Alone Against Tomorrow: Stories of Alienation in Speculative Fiction\ (New York: Macmillan, 1971), 130-44 [The first eight stories in\ Alone Against Tomorrow, including this story, rpt. as\ All the Sounds of Fear\ (London: Panther, 1973), 129-43]; in\ Above the Human Landscape. Ed. Willis E. McNelly and Leon E. Stover (Pacific Palisades, CA: Goodyear Publ. Co., 1972), 87-96; in\ Science Fiction: The Future. Ed. Dick Allen. 2nd ed. (New York: Harcourt Brace Jovanovich, 1983), 199-208; in The Best of the Nebulas (New York: Tor/Tom Doherty Associates, 1989), 63-71, with an \“Author\’s Foreword\” on 62;\ in\ Brave New Worlds. Ed. John Joseph Adams (San Francisco, CA: Night Shade Books, 2011), 257-661; and in The Big Book of Science Fiction: The Ultimate Collection. Ed. Ann and Jeff VanderMeer (New York: Vintage Crime/Black Lizard Vintage Books, 2016), 492-99 with an editors\’ note on 491.\ Edition as \“Repent, Harlequin!\” Said the Ticktockman. The Classic Story by Harlen Ellison illustrated by Rick Berry. Designed by Arnie Farmer. Grass Valley, CA: Underwood Books, 1997\ with a \“Foreword Stealing Tomorrow\” continued as an \“Afterword Stealing Tomorrow\” by Ellison (unpaged).

}, month = {December 1965}, pages = {135-45}, abstract = {

Dystopia in which everyone is controlled by the clock.

}, keywords = {Male author, US author}, issn = {0016-4003 }, author = {Harlan [Jay] Ellison (1934-2018)} } @booklet {1738, title = {"Eyes of Dust"}, howpublished = {Rogue Magazine}, volume = { 4.9 }, year = {1959}, note = {

Rpt. in I Have No Mouth and I Must Scream. Stories (New York: Pyramid Books, 1967), 65-73, with an author\’s note on 64; and\ in his\ Alone Against Tomorrow: Stories of Alienation in Speculative Fiction\ (New York: Macmillan, 1971), 187-206.

}, month = {December 1959}, pages = {30-32, 76}, abstract = {

Flawed utopia that expects everyone to be physically perfect. A woman with a mole on her face and a blind man are shunned, marry, and give birth to a child who has the \"eyes of dust\", known only as Person, who they keep hidden. When Person is discovered, he is killed.

}, keywords = {Male author, US author}, author = {Harlan [Jay] Ellison (1934-2018)} } @booklet {1665, title = {"World of Women"}, howpublished = {Fantastic}, volume = { 6.1}, year = {1957}, month = {February 1957}, pages = {30-54}, abstract = {

Dystopia describing a world where all men had been eliminated except for a few kept for breeding purposes on a neighboring planet. One man visits in disguise to find the reason, which turns out to be an insane leader, and once she is removed, normal relations will re-emerge.

}, keywords = {Male author, US author}, author = {Harlan [Jay] Ellison (1934-2018)} }