@booklet {9250, title = {{\textquotedblleft}Mammoths of the Great Plains{\textquotedblright}}, howpublished = {Mammoths of the Great Plains plus Writing Science Fiction During World War Three and {\textquotedblleft}At the Edge of the Future{\textquotedblright} Outspoken Interview }, year = {2010}, month = {2010}, pages = {9-79}, publisher = {Aqueduct Press}, address = {Seattle, WAA}, abstract = {

The story is set in a future that has been badly damaged environmentally, but in which Indians saved the mammoths from slaughter, which is the focus of the story. The setting has the suburbs gone and slowly being replaced by nature. The world is getting hotter and hotter.

}, keywords = {Female author, US author}, author = {Eleanor [Atwood] Arnason (b. 1942)} } @booklet {4947, title = {"The Grammarian{\textquoteright}s Five Daughters"}, howpublished = {Realms of Fantasy}, volume = { 5.5}, year = {1999}, note = {

Rpt. in her\ Ordinary People: A Collection\ (Seattle, WA: Aqueduct Press, 2005), 6-20.

}, month = {June 1999}, pages = {38-41, 65}, abstract = {

Eutopian fantasy in which a poor grammarian gives each daughter a sack of words (nouns, verbs, adjectives, adverbs, and prepositions respectively), and they go off and find a country without those words. Releasing the words transforms each country for the better. Ultimately all five countries are united.

}, keywords = {Female author, US author}, author = {Eleanor [Atwood] Arnason (b. 1942)} } @booklet {9249, title = {Ring of Swords}, year = {1993}, note = {

Stories about the aliens include The Actors: A\ Hwarhath\ Historical Romance.\”\ The Magazine of Fantasy and Science Fiction\ 97.6 (579) (December 1999): 105-60. Rpt. without the subtitle in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 66-129. ; \“Dapple: A Hwarhath Historical Romance.\” Illus. Steve Cavallo.\ Asimov\’s Science Fiction\ 23.9 (284) (September 1999): 104-35. Rpt. without the subtitle in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 130-80; \“The Garden: A Hwarhath Science Fictional Romance.\”\ Synergy SF: New Science Fiction. Ed. George Zebrowski (Waterville, ME: Five Star, 2004), 122-81. Rpt. without the subtitle in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 309-56; \“The Gauze Banner.\”\ More Amazing Stories. Ed. Kim Mohan (New York: Tor, 1998), 126-46. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 192-212; \“Holmes Sherlock: A Hwarhath Mystery.\”\ Eclipse online\ (November 12, 2012).\ http://www.nightshadebooks.com/2012/11/12/holmes-sherlock-a-hwarhath-mystery-by-eleanor-arnason/\ Rpt. without the subtitle in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 358-81; \“The Hound of Merin.\”\ Xanadu. Ed. Jane Yolen (New York: Tor, 1993), 188-211. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 10-33; \“The Lovers.\” Illus. Steve Cavallo.\ Asimov\’s Science Fiction\ 18.8 (218) (July 1994): 136-60. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 34-65; \“Origin Story.\”\ Tales of the Unanticipated, no. 21 (April 2000): 64-66. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 187-91. \“The Potter of Bones.\” Illus. Steve Cavallo in\ Asimov\’s Science Fiction\ 26.9 (320) (September 2002): 12-47. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 251-308. \“The Semen Thief.\” Illus. Carol Heyer.\ Amazing Stories\ 68.9 (589) (Winter 1994): 87-94. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 213-36. \“The Small Black Box of Morality.\”\ Tales of the Unanticipated, no. 16 (Spring/Summer/Fall 1996): 24. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 183-86. and \“The Woman Who Fooled Death Five Times: A\ Hwarhath\ Folk Tale.\”\ The Magazine of Fantasy and Science Fiction\ 123.1 \& 2 (702) (July-August-2012): 134-44. Rpt. in\ Hwarhath Stories: Transgressive Tales by Aliens\ (Seattle, WA: Aqueduct, 2016), 237-49.

}, month = {1993}, publisher = {Tor}, address = {New York}, abstract = {

A difficult book to characterize in that it presents two societies, an extremely well-done alien society, the Hwarhath, where same-sex relations are the norm, and people from a future Earth. Both societies are presented with their good and not-so-good elements. See Brian Attebery, \"Ring of Swords: A Reappreciation.\" New York Review of Science Fiction 16.8 (April 2004): 1, 8-10.\ Stories about the aliens include The Actors: A Hwarhath Historical Romance.\” The Magazine of Fantasy and Science Fiction 97.6 (579) (December 1999): 105-60. Rpt. without the subtitle in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 66-129. ; \“Dapple: A Hwarhath Historical Romance.\” Illus. Steve Cavallo. Asimov\’s Science Fiction 23.9 (284) (September 1999): 104-35. Rpt. without the subtitle in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 130-80; \“The Garden: A Hwarhath Science Fictional Romance.\” Synergy SF: New Science Fiction. Ed. George Zebrowski (Waterville, ME: Five Star, 2004), 122-81. Rpt. without the subtitle in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 309-56; \“The Gauze Banner.\” More Amazing Stories. Ed. Kim Mohan (New York: Tor, 1998), 126-46. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 192-212; \“Holmes Sherlock: A Hwarhath Mystery.\” Eclipse online (November 12, 2012). http://www.nightshadebooks.com/2012/11/12/holmes-sherlock-a-hwarhath-mystery-by-eleanor-arnason/ Rpt. without the subtitle in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 358-81; \“The Hound of Merin.\” Xanadu. Ed. Jane Yolen (New York: Tor, 1993), 188-211. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 10-33; \“The Lovers.\” Illus. Steve Cavallo. Asimov\’s Science Fiction 18.8 (218) (July 1994): 136-60. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 34-65; \“Origin Story.\” Tales of the Unanticipated, no. 21 (April 2000): 64-66. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 187-91. \“The Potter of Bones.\” Illus. Steve Cavallo in Asimov\’s Science Fiction 26.9 (320) (September 2002): 12-47. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 251-308. \“The Semen Thief.\” Illus. Carol Heyer. Amazing Stories 68.9 (589) (Winter 1994): 87-94. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 213-36. \“The Small Black Box of Morality.\” Tales of the Unanticipated, no. 16 (Spring/Summer/Fall 1996): 24. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 183-86. and \“The Woman Who Fooled Death Five Times: A Hwarhath Folk Tale.\” The Magazine of Fantasy and Science Fiction 123.1 \& 2 (702) (July-August-2012): 134-44. Rpt. in Hwarhath Stories: Transgressive Tales by Aliens (Seattle, WA: Aqueduct, 2016), 237-49.

}, keywords = {Female author, US author}, author = {Eleanor [Atwood] Arnason (b. 1942)} } @booklet {9248, title = {A Woman of the Iron People}, year = {1991}, note = {

Rpt. as A Woman of the Iron People. Part One. In the Light of Sigma Draconis. New York: Avonova/Avon Books, 1992; and A Woman of the Iron People. Part Two. Changing Women. New York: Avonova/Avon Books, 1992.

}, month = {1991}, publisher = {Morrow}, address = {New York}, abstract = {

A complex, multi-layered regarding the interactions of people from a technological, socialist Earth and aliens from a simple society, with the action taking place on the alien\’s planet. Good and bad elements of both peoples are described, and there is a particular emphasis on gender. The book won the first James Tiptree, Jr. Literary Award for science fiction or fantasy that expands or explores our understanding of gender.\ 

}, keywords = {Female author, US author}, author = {Eleanor [Atwood] Arnason (b. 1942)} } @booklet {3490, title = {"The Land of Ordinary People. For John Lennon"}, howpublished = {Women in Search of Utopia; Mavericks and Mythmakers}, year = {1984}, note = {

Rpt. in her\ Ordinary People: A Collection\ (Seattle, WA: Aqueduct Press, 2005), 3-5.

}, month = {1984}, pages = {257-259}, publisher = {Schocken Books}, address = {New York}, abstract = {

Poem that gives the sense of an anarchist eutopia.

}, keywords = {Female author, US author}, author = {Eleanor [Atwood] Arnason (b. 1942)}, editor = {Ruby Rohrlich and Elaine Hoffman Baruch} } @booklet {3317, title = {"A Ceremony of Discontent"}, howpublished = {A Room of One{\textquoteright}s Own }, volume = {6.1 \& 2}, year = {1981}, note = {

Rpt. in her\ Ordinary People: A Collection\ (Seattle, WA: Aqueduct Press, 2005), 21-33.

}, month = {1981}, pages = {52-61}, abstract = {

Feminist eutopia set in a society where each woman had to make an irrevocable choice between motherhood and independent creativity and trading. Men would marry at least one of each. The story is about an independent woman, who is discontented but does not want to be a mother either.

}, keywords = {Female author, US author}, author = {Eleanor [Atwood] Arnason (b. 1942)} } @booklet {2546, title = {"A Clear Day in Motor City"}, howpublished = {New Worlds 6. The Science Fiction Quarterly}, year = {1973}, note = {

Rpt. in\ The New Improved Sun: An Anthology of Utopian S-F. Ed. Thomas M[ichael] Disch (New York: Harper \& Row, 1975), 109-16 with an editor\&$\#$39;s note on 108-09.

}, month = {1973}, pages = {187-192}, publisher = {Sphere}, address = {London}, abstract = {

Flawed utopia. The story begins in a future eutopian Detroit, Michigan, where everyone gets the day off on a clear day. But the eutopia exists only for those who take drugs, and there are human sacrifices to the old gods.

}, keywords = {Female author, US author}, author = {Eleanor [Atwood] Arnason (b. 1942)}, editor = {Michael [John] Moorcock (b. 1939)} }