@booklet {5000, title = {"Old Music and the Slave Women"}, howpublished = {Far Horizons: All New Tales from the Greatest Worlds of Science Fiction}, year = {1999}, note = {

Rpt. in her The Birthday of the World and Other Stories (New York: HarperCollins, 2002), 153-211. U.K. ed. (London: Gollancz, 2002), 153-211; in The Found and the Lost: The Collected Novellas of Ursula K. Le Guin (New York: Saga Press, 2016), 429-87;\ and in Hainish Novels \& Stories Volume Two. The World for Word Is Forest Stories Five Ways to Forgiveness The Telling. Ed. Brian Attebery (New York: Library of America, 2017), 518-69 with a \“Note on the Text\” (781) and \“Notes (787).\ 

}, month = {1999}, pages = {7-52}, publisher = {Avon Eos}, address = {New York}, abstract = {

A fifth novella to add to her 1995 Four Ways to Forgiveness. This story is mostly about the continuing struggle for control of the planet Werel.

}, keywords = {Female author, US author}, author = {Ursula K[roeber] Le Guin (1929-2018)}, editor = {Robert Silverberg (b. 1935)} } @booklet {2767, title = {"The New Atlantis"}, howpublished = {The New Atlantis and Other Novellas of Science Fiction}, year = {1975}, note = {

Rpt. in The Best Science Fiction of the Year $\#$5. Ed. Terry Carr (New York: Ballantine Books, 1976), 165-92; in Dream\’s Edge: Science Fiction Stories About the Future of Planet Earth. Ed. Terry Carr (San Francisco, CA: Sierra Club Books, 1980), 185-205; in her The Compass Rose: Short Stories (New York: Harper \& Row, 1982), 12-40. U.K. ed. (London: Victor Gollancz, 1983), 12-40; in The Norton Book of Science Fiction: North American Science Fiction. Ed. Ursula K[roeber] Le Guin and Brian Attebery. Karen Joy Fowler, Consultant (New York: W.W. Norton, 1993), 317-36; and in The Way to the End Times: Classic Tales of the Apocalypse. Ed. Robert Silverberg (New York: Three Rooms Press, 2016), 229-56, with an \“Editor\’s Introduction\” on 228.

}, month = {1975}, pages = {59-85}, publisher = {Hawthorn Books}, address = {New York}, abstract = {

Bureaucratic, authoritarian, and violent dystopia. War is constant; global warming is destroying the planet; the government controls all power sources, which are failing; food and medication are in short supply; marriage and the nuclear family are illegal; women cannot be admitted to medical school; and minor bureaucratic rules are used to keep people in line for fear of being imprisoned.

}, keywords = {Female author, US author}, author = {Ursula K[roeber] Le Guin (1929-2018)}, editor = {Robert Silverberg (b. 1935)} } @booklet {2606, title = {"The Girl Who Was Plugged In"}, howpublished = {New Dimensions}, volume = { 3}, year = {1973}, note = {

Rpt. New York: Tor, 1989. Tor Double bound with Vonda N[eel] McIntyre (1948-2019). Screwtop [Originally published in The Crystal Ship: Three Original Novellas of Science Fiction. Ed. Robert Silverberg (Nashville, TN: Thomas Nelson, 1976), 151-208]; in her Her Smoke Rose Up Forever ([Sauk City, WI:] Arkham House, 1990), 44-79; in Cybersex. Ed. Richard Glyn Jones (New York: Carroll \& Graf, 1996), 178-213; in The Ultimate Cyberpunk. Ed. Pat Cadigan (New York: ibooks, 2002), 74-120; in The James Tiptree Award Anthology 3. Ed. Karen Joy Fowler, Pat Murphy, Debbie Notkin, and Jeffrey D. Smith (San Francisco, CA: Tachyon Publications, 2007), 151-90; and in The Future is Female! More Classic Science Fiction by Women Volume 2: The 1970s. Ed. Lisa Yaszek (New York: Library of America, 2023), 135-184, with a biographical note on 469-471 and notes on the text on 483-485.

}, month = {1973}, pages = {60-97}, publisher = {Nelson Doubleday}, address = {Garden City, NY}, abstract = {

A eutopia that outlaws any misrepresentation of a product (advertising) is being successfully undermined by corporate interests.

}, keywords = {Female author, US author}, isbn = {978-1-59853-732-1}, author = {[Alice Bradley] [Sheldon] (1915-87)}, editor = {Robert Silverberg (b. 1935)} } @booklet {2585, title = {"The Ones Who Walk Away from Omelas (Variations on a Theme by William James)"}, howpublished = {New Dimensions}, volume = { 3}, year = {1973}, note = {

Rpt. in her The Wind\’s Twelve Quarters: Short Stories (New York: Harper \& Row, 1975), 224-31; in Utopian Studies 2.1 \& 2 (1992): 1-5; in The Secret History of Science Fiction. Ed. James Patrick Kelly and John [Joseph Vincent] Kessel (San Francisco, CA: Tachyon, 2009), 39-44; without the subtitle in Brave New Worlds. Ed. John Joseph Adams (San Francisco, CA: Night Shade Books, 2011), 33-38; 2nd ed. ed. John Joseph Adams (San Francisco, CA: Night Shade Books, 2012), 33-38; and with the subtitle in her The Real and the Unreal. Selected Stories of Ursula K. Le Guin. Volume Two Outer Space, Inner Lands (Easthampton, MA: Small Beer Press, 2012), 1-7; with the subtitle in the one volume edition The Real and the Unreal: The Selected Short Stories of Ursula K. Le Guin (New York: Saga Press, 2016), 329-36; with the subtitle in Grave Predictions: Tales of Mankind\’s Post-Apocalyptic, Dystopian and Disastrous Destiny. Ed. Drew Ford (Mineola, NY: Dover Publications, 2016), 87-94; and without the subtitle in Futures and Fictions. Ed. Henriette Gunkel, Ayesha Hameed, and Simon O\’Sullivan (London: Repeater Press, 2017), 379-88.\ \ 

}, month = {1973}, pages = {1-8}, publisher = {Nelson Doubleday}, address = {Garden City, NY}, abstract = {

Flawed eutopia. The suffering of one child is necessary for the existence of a eutopia. See Sarah Pinsker, \“The Ones Who Know Where They are Going.\” Asimov\’s Science Fiction 41.3 \& 4 (494 \& 495) (March-April 2017): 67-69 for a brief version giving the perspective of the child. Corey Doctorow\’s Walkaway. New York: Tor, 2017 is clearly related. P. H. Lee\’s \“A House by the Sea.\” Uncanny A Magazine of Science Fiction and Fantasy, no. 24 (September 2018). https://uncannymagazine.com/article/a-house-by-the-sea/ is about the lives of the children after they are released from the basement and replaced by another child. Nora K. Jemisin\’s, \ \“The One Who Stay and Fight.\” In her How Long \‘Til Black Future Month (New York: Orbit, 2018), 1-13; rpt. Lightspeed Magazine, no. 116 (January 2020). https://www.lightspeedmagazine.com/fiction/the-ones-who-stay-and-fight/ reflects the story\’s title. Cynthia G{\'o}mez\’s \“The Ones Who Came Back to Heal.\” Strange Horizons (July 17, 2023). http://strangehorizons.com/fiction/the-ones-who-come-back-to-heal/ concerns a trans person who had left but returns to try to help the child. A related story that connects the children in Omelas to the refugee crisis is Rene Denfeld, \“The Ones Who Don\’t Walk Away.\” Dispatches from Anarres: Tales in Tribute to Ursula K. Le Guin. Ed. Susan DeFreitas (Portland, OR: Forest Avenue Press, 2021), 112-116.\ 

}, keywords = {Female author, US author}, author = {Ursula K[roeber] Le Guin (1929-2018)}, editor = {Robert Silverberg (b. 1935)} } @booklet {2507, title = {"Nobody{\textquoteright}s Home"}, howpublished = {New Dimensions II}, year = {1972}, note = {

Rpt. in Women of Wonder. Ed. Pamela Sargent (New York: Vintage, 1974), 231-56; illus. Dennis Neal Smith\ in her The Zanzibar Cat ([Sauk City, WI]: Arkham House, 1983), 52-69; and in Women of Wonder: The Classic Years. Science Fiction by Women from the 1940s to the 1970s. Ed. Pamela Sargent (San Diego, CA: Harcourt Brace, 1995), 249-62.\ 

}, month = {1972}, pages = {1-20}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Eutopia. The focus of the story is an extended family of eighteen adults living in a future world with a fairly low population. The main technological change is a matter transmitter that allows nearly instantaneous travel to any place on Earth, which means that only some are living together at any one time. The family described values high intelligence, and it is implied that this is the norm. Each person must contribute \"tax labor\" to the Earth community.

}, keywords = {Female author, US author}, author = {Joanna [Ruth] Russ (1937-2011)}, editor = {Robert Silverberg (b. 1935)} }