@booklet {10269, title = {Chercher La Femme}, year = {2018}, month = {2018}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

A complex novel set mostly on a spaceship travelling to a planet called La Femme that explores gender issues. There are clear dystopian elements on the starship, and whether La Femme is eutopian or dystopian is up to the reader.\ 

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {9625, title = {The Waterdancer{\textquoteright}s World}, year = {2016}, month = {2016}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

A complex dystopia set on a world colonized so that its resources could be exploited, and the novel focuses on the relations among both the colonizers those who want to protect the planet.\ 

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {6075, title = {Stretto: Book Five of the Marq{\textquoteright}ssan Cycle}, year = {2008}, month = {2008}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

Final volume. See also 2005, 2006, and 2007 (2) Duchamp. This volume stresses the utopian elements, basically feminist and liberal, but the various political struggles continue, and there is no clear resolution at the end.

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {5907, title = {Blood in the Fruit: Book Four of the Marq{\textquoteright}ssan Cycle}, year = {2007}, month = {2007}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

Sequel to 2005, 2006, and 2007 Duchamp,\ Tsunami. See also 2008 Duchamp. In this volume the aliens return to see whether or not Earth should be quarantined. \ 

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {5953, title = {"No Man{\textquoteright}s Land"}, howpublished = {The WisCon Chronicles}, volume = { Volume 1}, year = {2007}, month = {2007}, pages = {183-95}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

Eutopia. A planet where women and men have separated and the arrival of new men from space in the women\&$\#$39;s area. Both positive and negative impacts are described.

}, keywords = {Australian author, Female author}, author = {Rosaleen [Lucille] Love (b. 1940)}, editor = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {5908, title = {Tsunami: Book Three of the Marq{\textquoteright}ssan Cycle}, year = {2007}, month = {2007}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

Sequel to 2005, 2006, and 2007 Duchamp, Blood in the Fruit. See also 2008 Duchamp. This volume shows three women with very different perspectives as they try to bring about the particular changes they want.

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {5745, title = {Renegade: Book Two of the Marq{\textquoteright}ssan Cycle}, year = {2006}, month = {2006}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

Sequel to 2005 Duchamp; see the note there. This volume describes a power struggle between two women, one representing the dystopia and one representing the eutopia. See also 2007 (2) and 2008 Duchamp. Female author. The five volumes were written in the 1980s. Female author.

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {5623, title = {Alanya to Alanya: Book One of the Marq{\textquoteright}ssan Cycle}, year = {2005}, month = {2005}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

First volume of a five-volume series. In this volume, an alien feminist eutopia that hopes to save Earth from itself is set against a near future authoritarian dystopia. A non-violent anarchist eutopia, known as the Free Zone, develops in the U.S. Pacific Northwest and is threatened by internal divisions and external forces. Renegade: Book Two of the Marq\’ssan Cycle. Seattle, WA: Aqueduct Press, 2006, describes a power struggle between two women, one representing the dystopia and one representing the eutopia. Tsunami: Book Three of the Marq\’ssan Cycle. Seattle, WA: Aqueduct Press, 2007, shows three women with very different perspectives as they try to bring about the changes they want. In Blood in the Fruit: Book Four of the Marq\’ssan Cycle. Seattle, WA: Aqueduct Press, 2007, the aliens return to see whether or not Earth should be quarantined. Stretto: Book Five of the Marq\’ssan Cycle. Seattle, WA: Aqueduct Press, 2008, stresses the utopian elements, basically feminist and liberal, but the various political struggles continue, and there is no clear resolution at the end. All five volumes were written in the 1980s.

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {5624, title = {The Red Rose Rages (Bleeding): A Short Novel}, year = {2005}, month = {2005}, publisher = {Aqueduct Press}, address = {Seattle, WA}, abstract = {

Dystopia of privatized \"rehabilitation\" facilities.

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {4714, title = {"Welcome, Kid, to the Real World"}, howpublished = {Tales of the Unanticipated}, volume = {no. 16 }, year = {1996}, month = {Spring/Summer/Fall 1996}, pages = {12-18}, abstract = {

Dystopia in which children are required to choose their future physical and mental shape.

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} } @booklet {8536, title = {{\textquotedblleft}The Forbidden Words of Margaret A{\textquotedblright}}, howpublished = {Pulphouse: The Hardback Magazine}, volume = {no. 8}, year = {1990}, note = {

Rpt. in\ The Women Who Walk Through Fire. Ed. Susanna J. Sturgis (Freedom, CA: Crossing Press, 1990), 53-75;\ Sisters of the Revolution: A Feminist Speculative Fiction Anthology. Ed. Ann VanderMeer and Jeff VanderMeer (Oakland, CA: PM Press, 2015), 3-19; and\ Broad Knowledge: 35 Women Up to No Good. Ed. Joanne Merriam (Nashville , TN: Upper Rubber Boot Books, 2018), 333-50.\ 

}, month = {Summer 1990}, pages = {177-98}, abstract = {

Dystopia as seen through the eyes of a journalist reporting on a meeting with an imprisoned woman, whose words, under a law called as \“The Limited Censorship for the Preservation of National Security Act,\” it is illegal to report or to be heard or read by anyone.

}, keywords = {Female author, US author}, author = {L[inda] Timmel Duchamp (b. 1950)} }