@booklet {2791, title = {"Weapons"}, howpublished = {Dystopian Visions}, year = {1975}, month = {1975}, pages = {55-73}, publisher = {Prentice-Hall}, address = {Englewood Cliffs, NJ}, abstract = {

Dystopia that violently enforces racial and class discrimination.

}, keywords = {Female author, Male author, US author}, author = {Pamela Sargent (b. 1948) and George Zebrowski (b. 1945)}, editor = {Roger [Paul] Elwood (1943-2007)} } @booklet {2820, title = {"Where Summer Song Rings Hollow"}, howpublished = {Dystopian Visions}, year = {1975}, month = {1975}, pages = {129-44}, publisher = {Prentice-Hall}, address = {Englewood Cliffs, NJ}, abstract = {

Eternally renewable youth seen as a eutopia by some and a dystopia by others.

}, keywords = {Female author, US author}, author = {Gail Kimberly [Francis] (1927-2011)}, editor = {Roger [Paul] Elwood (1943-2007)} } @booklet {2603, title = {"The Weariest River"}, howpublished = {Future City}, year = {1973}, note = {

Rpt. (New York: Pocket Book, 1974), 94-134; and in his\ Caution! Inflammable!\ (New York: Bantam Books, 1976), 230-70.

}, month = {1973}, pages = {108-48}, publisher = {Trident Books}, address = {New York}, abstract = {

Dystopia of immortality, which is for sale from the Company. Immortality had produced poverty and intense conflict between old and young. Sexually the young desire the old and vice versa. At an undefined point the old are placed in \&$\#$39;kraals\&$\#$39; where they are essentially entombed but unable to die. The story is told from the viewpoint of the inventor of immortality, who stresses the guilt he feels.

}, keywords = {Male author, US author}, author = {Thomas N[icholas] Scortia (1926-86)}, editor = {Roger [Paul] Elwood (1943-2007)} } @booklet {2545, title = {"Windmill"}, howpublished = {Saving Worlds: A Collection of Original Science Fiction Stories}, year = {1973}, note = {

Book rpt. as\ The Wounded Planet\ (New York: Bantam Books, 1974), 149-70.

}, month = {1973}, pages = {149-71}, publisher = {Doubleday}, address = {Garden City, NY}, abstract = {

Ecological dystopia in a post-disaster society. Complex control on the use of resources.

}, keywords = {Male author, US author}, author = {Poul [William] Anderson (1926-2001)}, editor = {Roger [Paul] Elwood (1943-2007) and Virginia Kidd (1921-2003)} } @booklet {2584, title = {"The World as Will and Wallpaper"}, howpublished = {Future City}, year = {1973}, note = {

Book rpt. (New York: Pocket Books, 1974), 28-43; story rpt. in\ The Best Science Fiction of the Year $\#$3. Ed. Terry Carr (New York: Ballantine Books, 1974), 27-43; and in The Best of R. A. Lafferty. Ed. Jonathan Strahan (London: Gollancz, 2019), 356-74, with an Introduction by Samuel R[ay] Delany (353-55). Rpt. New York: Tor, 2021.

}, month = {1973}, pages = {28-43}, publisher = {Trident}, address = {New York}, abstract = {

Dystopian satire referring to William Morris (1834-96), whose name is used for the protagonist. A city encompasses the world, which is built above land and oceans. The one area of trees in the city is considered huge in that it covers two blocks. The story follows a man who wants to explore the world and his trip reveals that most people are illiterate, communicate poorly, and have very limited lives, but that there is an elite who created the city to keep the majority of the people content and controlled.

}, keywords = {Male author, US author}, isbn = {9781473213449 978-1250778536}, author = {R[aphael] A[loysius] Lafferty (1914-2002)}, editor = {Roger [Paul] Elwood (1943-2007)} }