TY - ABST T1 - "The Asonu" Y1 - 1998 A1 - Ursula K[roeber] Le Guin (1929-2018) KW - Female author KW - US author AB -

An odd society where people speak very little and live good lives. Satire on those who want them to be mystics.

JF - Orion: People and Nature VL - 17.4 N1 -

Rpt. as "The Silence of the Asonu." In her Changing Planes. Illus. by Eric Beddows (Orlando, FL: Harcourt, 2003), 19-29; online in Lightspeed in December 2010; in Lightspeed: Year One. Ed. John Joseph Adams ([New York]: Prime Books, 2011), 328-33; and in her The Real and the Unreal. Selected Stories of Ursula K. Le Guin. Volume Two Outer Space, Inner Lands (Easthampton, MA: Small Beer Press, 2012), 253-63; and in the one volume edition The Real and the Unreal: The Selected Short Stories of Ursula K. Le Guin (New York: Saga Press, 2016), 605-12.

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ER - TY - ABST T1 - "Another Story" Y1 - 1994 A1 - Ursula K[roeber] Le Guin (1929-2018) KW - Female author KW - US author AB -

Eutopia. The planet “O” is a conservative sustainable farming society based on long established small communities and a complex marriage called a “sedoretu” in which a minimum of four people (two men and two women) marry with both heterosexual and homosexual relations. Two (one man and one woman) come from each of the two groups or moieties, the Morning People and the Evening People, into which the planets population is divided. Sexual relations take place between moities but not within them. 

JF - Tomorrow VL - 2.4 N1 -

Rpt. as “Another Story or A Fisherman of the Inland Sea.” In her A Fisherman of the Inland Sea: Science Fiction Stories (New York: HarperPrism, 1994), 147-91; rpt. illus. Pat Morrissey and with a “Preface” (ix-xv) by James Gunn (Norwalk, CT: The Easton Press, 1995), 147-91; in The James Tiptree Award Anthology 2. Ed. Karen Jay Fowler, Pat Murphy, Debbie Notkin, and Jeffrey D. Smith (San Francisco, CA: Tachyon Publications, 2006), 185-225; in The Found and the Lost: The Collected Novellas of Ursula K. Le Guin (New York: Saga Press, 2016), 197-240; in Hainish Novels & Stories Volume Two. The World for Word Is Forest Stories Five Ways to Forgiveness The Telling. Ed. Brian Attebery (New York: Library of America, 2017), 168-206 with a “Note on the Text” (780) and “Notes (785). 

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ER - TY - ABST T1 - Always Coming Home Y1 - 1985 A1 - Ursula K[roeber] Le Guin (1929-2018) KW - Female author KW - US author AB -

Complex utopia described from inside the utopia but with, in The Back of the Book” (409-525), the sort of detail about the society that might be part of an anthropological report. One focus of the novel is the life story of a woman known as “Stone Telling” that illustrates both the positive and negative aspects of life produced by the many-faceted interactions among the people.

PB - Harper & Row CY - New York N1 -

U.K. ed. London: Victor Gollancz, 1986. Rpt. without the cassette. London: Gollancz, 2016, with an “Introduction” by John Scalzi (ix-xi). The Author’s Expanded Edition without the cassette. Ed. Brian Attebery. New York: The Library of America, 2019 includes “Pandora Revisits the Kesh and Comes Back with New Texts” (619-87) [Dangerous People (621-68), which was first published as Dangerous People. Ed. Brian Attebury. New York: Library of America eBook Classic, 2019, was completed by Le Guin in December 2019 from material she had drafted in 1983 or 1984. Rpt. in her The Space Crone. Ed. So Mayer and Sarah Shin (Np: Silver Press, 2023), 195-224. The book includes extensive notes by the editor and a very detailed chronology of Le Guin’s life and works; “Some Kesh Meditations: Sitting in the Ninth House” (669-71); “Blood Lodge Songs” (672-81), and “Kesh Syntax” (682-85)], “Other Writings Related to Always Coming Home” (689-702) [May’s Lion” (691-98); Navna: The River-running by Intrumo of Sinshan” (699)], “Essays” (703-89) [“World-Making” (700-02); “A Non-Euclidian View of California as a Cold Place to Be” (703-24); “The Carrier Bag Theory of Fiction” (725-30); “Text, Silence, Performance” (731-40); “Legends for a New Land” (741-57); “The Making of Always Coming Home” (758-80); and “Indian Uncles” (781-89), a Chronology (793-807), a Note on the Texts (808-11), and Notes (812-26). Parts published previously as “Time in the Valley.” Hudson Review 37.4 (Winter 1984-5): 536-48; “The Trouble with the Cotton People.” The Missouri Review 7.2 (1984): 86-95; rpt. in The Year’s Best Science Fiction: Second Annual Collection. Ed. Gardner [Raymond] Dozois (New York: Bluejay Books, 1985), 410-19 with an editor’s note on 409 “The Visionary.” Omni 7.1 (1984): 100-02, 104, 106-07, 154, 157-60, 162-63 [Rpt. in The Visionary: The Life Story of Flicker of the Serpentine. Santa Barbara, CA: Capra Press, 1984. Vol. 1 of Capra Back-to-Back; and in The Sixth Omni Book of Science Fiction. Ed. Ellen [Sue] Datlow (New York: Zebra Books, 1989), 19-53]; “Dira.” Parabola 9 (Winter 1984): 53-55; and four poems--”It Was Never Really Different. Given to the Red Adobe heyimas of Wakwaha by Ninepoint of Chumo”; “A Song Used in Chumo When Daming a Creek or Diverting Water to a Holding Tank for Irrigation”; “A Bay Laurel Song”; and “An Exhortation From the Second and Third Houses of Earth. A calligraphed poster-scroll from the Serpentine heyimas of Wakwaha-na.” Whole Earth Review (July 1985): 20-23.

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