Biblio
Z
The Golden Promise; A Novel of the Coming Era. New York: Pageant Press, 1955.
The Holy Land. Lakewood, CO: Polaris Books, 2003.
"Approach of Peace. A Vision Written in 1793" In The New-York Magazine, or Literary Repository. Vol. 1.4., 1790.
Life on Planet Heaven. Brisbane, QLD, Australia: Antonio Zuliani Publisher, 1997.
Red Clocks. A Novel. New York: Little, Brown, 2018.
"A street but half made up: Meet the literary agent” In Nature. Vol. 553.7867 ., 2018.
"Metaphysica". M.Arch. thesis. Minnesota., 1988.
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Flatland: A Romance of Many Dimensions. London: Seeley & Co, 1884.
“The Hunger After You’re Fed: Who is Héctor Prima?” In Wired. Vol. 25.1., 2017.
World Well Lost. London: Robert Hale, 1970.
The Thirty-nine Articles; or, a Plan of Reform in the Legislative Delegation of Utopia. London: Ptd. for J. Johnson, 1785.
A Strange Voyage. A Revision of The Key of Industrial Cooperative Government. An Interesting and Instructive Description of Life on Planet Venus. St. Louis, MO: The Monitor Publishing Company, 1891.
The Key of Industrial Co-operative Government. St. Louis, MO: The Author, 1886.
"The Child of the Phalanstery" In Belgravia. Vol. 54., 1884.
"Jacob's Dream" In Cosmopolitan: A Monthly Illustrated Magazine. Vol. 26.3., 1899.
“The Girl of the Future” In Universal Review. Vol. 7.25., 1890.
The Laws of Leflo. London: John Ouseley, 1911.
Constitution or Organic Basis of the Pantarchy. New York: Baker and Godwin, 1860.
"Sequel to the 'Vision of Bangor in the Twentieth Century'" In Voices from the Kenduskeag. Bangor, ME: David Bugbee, 1848.
The Great Analysis: A Plea for a Rational World-Order. London: Methuen, 1912.
"The Limit" In Red Magazine (London) . Vol. 34.204., 1917.
"Gazetted for Matrimony" In Yellow Magazine (London). Vol. 17.108 ., 1925.
"A Pretty Pass. A 30th Century Idyl" In The Red Magazine (London) . Vol. 33.197., 1917.
The Yorl of the Northmen; or, the Fate of the English Race; Being the Romance of a Monarchical Utopia. London: Reeves and Turner, 1892.
The Arrogant History of White Ben. London: William Heinemann, 1939.