"The Priestess Who Rebelled"

Title"The Priestess Who Rebelled"
Year for Search1939
AuthorsBond, Nelson S[lade](1908-2006)
Secondary TitleAmazing Stories (Chicago, IL)
Volume / Edition 13.10
Pagination88-103
Date PublishedOctober 1939
ISSN Number0002-6891
KeywordsMale author, US author
Annotation

Blatantly sexist separation of the sexes. First story in a series set in a future after the collapse of civilization. “The Judging of the Priestess.” Fantastic Adventures (Chicago, IL) 2.4 (April 1940): 42-59 is racist, particularly anti-Japanese, as well as sexist. “Magic City.” Illus. M[anuel Rey] Isip (1904-87). Astounding Science Fiction 26.6 (February 1941): 9-36. Rpt. in A Treasury of Great Science Fiction. 2 vols. Ed. Anthony Boucher (Garden City, NY: Doubleday & Co., 1959), 293-321 is set in the same future but significantly later in time when men and women are equals but there remain enclaves of the old way.

Additional Publishers

Rpt. in When Women Rule. Ed. Sam Moskowitz (Walker & Co., 1972), 198-221. Rev. as “Pilgrimage.” In his The Thirty-First of February (Gnome Press, 1949), 246-72. Rpt. (Freeport, NY: Books for Libraries Press, 1970), 246-72. 

Holding Institutions

PSt

Author Note

(1908-2006)

Full Text

1939 Bond, Nelson S[lade] (1908-2006). “The Priestess Who Rebelled.” Amazing Stories (Chicago, IL) 13.10 (October 1939): 88-103. Rpt. in When Women Rule. Ed. Sam Moskowitz (Walker & Co., 1972), 198-221. Rev. as “Pilgrimage.” In his The Thirty-First of February (Gnome Press, 1949), 246-72. Rpt. (Freeport, NY: Books for Libraries Press, 1970), 246-72. PSt

Blatantly sexist separation of the sexes. First story in a series set in a future after the collapse of civilization. “The Judging of the Priestess.” Fantastic Adventures (Chicago, IL) 2.4 (April 1940): 42-59 is racist, particularly anti-Japanese, as well as sexist. “Magic City.” Illus. M[anuel Rey] Isip (1904-87). Astounding Science Fiction 26.6 (February 1941): 9-36. Rpt. in A Treasury of Great Science Fiction. 2 vols. Ed. Anthony Boucher (Garden City, NY: Doubleday & Co., 1959), 293-321 is set in the same future but significantly later in time when men and women are equals but there remain enclaves of the old way.