"Vision 1-6"
Title | "Vision 1-6" |
Year for Search | 1976 |
Authors | Harper, Clifford(b. 1949) |
Secondary Title | Undercurrents. Radical Technology |
Pagination | 48-49, 94-85, 132-33, 168-69, 200-201, 228-29 |
Date Published | 1976 |
Publisher | Wildwood House |
Place Published | London |
Keywords | English author, Male author |
Annotation | Anarchist utopia described in six illustrations with brief notes and some with captions. The visions are of a collectivised garden, a basement workshop, an autonomous village, an autonomous terrace, a community workshop, and a community media centre. Strikingly, the only people shown working are women, and Colin Ward comments on this saying, “Note that the last male chauvinist is sulking in the corner. The women have taken over the shop” (133/Why Work 153). |
Additional Publishers | U.S. ed. (New York: Pantheon Books/Random House, 1976), 48-49, 94-85, 132-33, 168-69, 200-201, 228-29. Rpt. in a different order as foldout plates in Why Work? Arguments for the Leisure Society. Ed. Vernon Richards (London: Freedom Press, 1983), 149-54, with commentary by Colin Ward rather than the original description. |
Holding Institutions | PSt |
Author Note | The author (b. 1949) has been an anarchist activist all his life, helped found an intentional community on Eel Pie Island in the Thames and was involved in the All-London Squatters Organisation. |
Full Text | 1976 Harper, Clifford (b. 1949). “Vision 1 - 6.” In Peter Harper, Godfrey Boyle, and the editors of Undercurrents. Radical Technology (London: Wildwood House, 1976), 48-49, 94-95, 132-33, 168-69, 200-201, 228-29. U.S. ed. (New York: Pantheon Books/Random House, 1976), 48-49, 94-95, 132-33, 168-69, 200-201, 228-29. Rpt. in a different order as foldout plates in Why Work? Arguments for the Leisure Society. Ed. Vernon Richards (London: Freedom Press, 1983), 149-54, with commentary by Colin Ward rather than the original description. PSt Anarchist utopia described in six illustrations with brief notes and some with captions. The visions are of a collectivised garden, a basement workshop, an autonomous village, an autonomous terrace, a community workshop, and a community media centre. Strikingly, the only people shown working are women, and Colin Ward comments on this saying, “Note that the last male chauvinist is sulking in the corner. The women have taken over the shop” (133/Why Work 153). The author has been an anarchist activist all his life, helped found an intentional community on Eel Pie Island in the Thames and was involved in the All-London Squatters Organisation. |