Art History Dissertations and Abstracts from North American Institutions | Compiled by Catherine D. Adams and Carolyn J. Lucarelli

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2022

Zapata, Claudia. 2022. “Chicano Art Is Not Dead: The Politics Of Curating Chicano Art In Major Us Exhibitions, 2008-2012”. Southern Methodist.

Kwon, Vicki Sung-yeon. 2022. “Connections In Friction: Socially Engaged Art In East Asia In Transnational Contact Zones”. Alberta.

Haveson Veloric, Cynthia. 2022. “Images, Theater, Embodied Experiences: How Ecoartists Are Shifting Consciousness Around The Climate Crisis”. University of the Arts.

Hunter, Jessica. 2022. “Seeing And Not Seeing Giraffes: Explorations In Perception, Art, And Possibility”. University of the Arts.

2021

Gordon, Addie. 2021. “Imaging Pilgrimage: Monumental Iconographies Of Cultural Policy And Revitalization At The Cidade Da Cultura De Galicia”. Binghamton.

Uhm, Eunice. 2021. “The Subversive Possibilities Of Diaspora: Aesthetic Subjectivities Of Migration And Displacement In South Korean And Japanese Art, 1960S-Present”. Ohio State.

2020

Cho, Hyeok. 2020. “Can The Subaltern Artist Speak? Postmodernity, Femininity, And Racial Identity In Lee Bul's Art”. Binghamton.

Jon, Ihmni. 2020. “When Willful Institutionalization Becomes Form: Artworld Globalization, Cai Guo-Qiang, And An Aesthetics Of Contingency”. Binghamton.

2019

Sanchez, Marisa. 2019. “The Beckett Effect: The Work Of Stan Douglas, Paul Chan And Tania Bruguera”. British Columbia.

Leeton, Brooke. 2019. “Meaning And/In Digital Media: Ryan Trecartin's Priority Innfield”. Georgia.

Flaherty, Shannon. 2019. “Tell Me About It: The Role Of Confession In Contemporary Art”. Minnesota.

Lopez Prater, Erika S. 2019. “Through The Woods: Documenta, Fairy Tales, And The Time Of Enchantment”. Minnesota.

2018

Guo, Xinran. 2018. “Afterimages Of Socialism: Chinese Contemporary Art, 2000-2010”. Northwestern.

Driscoll, Megan. 2018. “Art On The Internet And The Digital Public Sphere, 1994 - 2003”. UCLA.

Domene-Danes, Maria. 2018. “Ar(T)Chive Production In Post-War Lebanon”. Indiana.

Yin, Yanfei. 2018. “Chinese Traditionalist Painting And The Poetry Of Du Fu (712-770): Politicization, Institutionalization, And Self-Expression Between 1912 And 1966”. Ohio State.

Myers, Allison. 2018. “Cultural Translation And The Reception Of French Art In The United States, 1970-1980”. UT Austin.

Dalton, Caitlin. 2018. “Imprinting Art And Ideology: Memory And Pedagogy In The Early German Democratic Republic”. Boston.

Metcalf, Megan. 2018. “In The New Body: Simone Forti's Dance Constructions (1960-61) And Their Acquisition By The Museum Of Modern Art (Moma)”. UCLA.

Eschenburg, Madeline. 2018. “Migrating Subjects: The Problem Of The "Peasant" In Contemporary Chinese Art”. Pittsburgh.

Mcguire, Mary. 2018. “Theological Avant-Garde: The Arts Program At The Judson Memorial Church, 1958-1973”. UC Santa Barbara.

2017

Devine, Katherine De Vos. 2017. “Appropriation Art, Intellectual Property, And Fair Use Since The 1990S”. Duke.

Roesch, Nathanael. 2017. “The Athletic Turn In Contemporary Art”. Bryn Mawr.

Jang, Sunhee. 2017. “Contemporary Art And The Search For History - The Emergence Of The Artist-Historian”. UIUC.

McCollum, Christina. 2017. “Exhibitions Of Outsider Art Since 1947”. CUNY.

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